Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Ghya Chang Fou is a dark political satire which identifies itself as an alternative underground film. The film has been made without any support from the mainstream industry and thus in many ways it belongs to the domain of independent film making practice. The film depicts unabashed sex, violence, BDSM acts, extreme political views and incest. The film consciously avoids the glossy look. Instead, it explores with raw and dark images which adds novelty to the film. Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness.

有美（Yu - mi）因丈夫晚上从不回家而心生怨恨，即便在他们的第一个结婚周年纪念日也是如此。她与一个名叫赫（Hyeol）的男人开始了一段婚外情，却没有意识到丈夫发现此事后会发生什么。

Mukhunda is a dumb and crazy guy also called Mukya by the villagers as he is unable to speak he does odd work in villagers but sometimes doubles the work due to his craziness.Chandraakka daughter of village head lives with her father Saheb her marriage isn't happening as the fortune teller has predicted wrong star ( Mangal) in her life.Mukya's mother whose close to Saheb and his family and does not believe in wrong stars and ensures Chandra marries to a good guy.Chandra and Mukya get close to each other and Mukya gains his voice back after he meets with an accident as Chandtra isn't getting a suitable boy Saheb asks Mukya's mother to get them both married to which she agrees as the marriage is nearing Mukya gets more attention in village and Saheb feels his place is at risk and decides to play tricks to separate them.

暂无剧情简介

A former French war photographer who is traumatized by the loss of her team during her last mission and sets off to rebuild her life in a region of Southeast Asia known as the Golden triangle.

A psychoanalysis session where the shrink seems to take pleasure in playing with his patient's nerves. But every symptom has an explanation...

暂无剧情简介

暂无剧情简介

居住于柏林的中年女子Arabella与成长于深圳的青年男子Shu都是潮汕后裔，两人因基因检测相逢。基于一张建筑照片和一个精确到村庙的地址，他们展开了漫长的书信往来。 寻找房子的过程并不顺利，但或许恰是因为过程的曲折和真相的不确切性，他们不知不觉把对话的内容转向了彼此，并基于有限的记忆和父辈的描述对一些素未谋面的人群和地方的展开想像，在同一片土地上的今日和往昔来回穿行。 C是一名建筑学研究者，他拿到了这些邮件。过去的一段时间里，他步履不停地游走在Arabella和Shu渴望抵达的土地上。很显然，他看见甚至触碰到了信件中讨论的那些建筑、乡村和山海。他甚至帮他们找到了照片中的那栋建筑，找到了他们想像中和想像之外的一些人。但他始终处于无法辨识的时间中：一方面，在他的世界里，有下不完的雨，从未停歇的溪流；又有快被烈日晒干的大海，和南方吹来的季风。他被卡在这种亘古未变的循环当中。可另一方面，他又经历着看不见尽头的“事后状态”。在这些建筑上，整个20世纪的痕迹随处可见，细节避无可避地同时降落在眼前，他意识到自己的游荡和搜索也变成了某种中间态，与前人的痕迹相互溶解并一同成为了一束炽烈的目光。 在C所拍摄的影像中，有一个女人总在不经意间与他擦身而过。他跟随着那个女人走了很久，直到故事结束前，他突然停下了脚步，任由女人走远。他知道，当荧幕暗下时，工作才刚刚开始。